I owe like, a lot of artwork so I’m so sorry if I spam your inboxes over the next couple days guys.
Final piece at the top, exploration works underneath. Notes not included due to illegible hand writing.
I wanted to try and branch out, to get away from the figure, and tried a whole bunch of different elements in the exploration bit. I didn’t feel like I was getting anywhere so I revisited the figure–sort of–in my final piece. Danny commented that it looked like some bizarre organism, or tissue matter. I don’t know if saying it’s a figure helps interpretation at all, but I’m not unhappy with the final result. I’d maybe like to revisit the idea in oil, or on something other than the wood chip board I was using, the texture certainly wasn’t something I had planned for, although I would really like to explore the texture in another setting.
STAGE ONE: DRAFT
The concepts I wanted to explore with this project are elements of personal narrative, storytelling and memory. I was originally interested in doing so through the use of textiles, collage and colour.
Sketchbook research of other artists including: Pablo Picasso, Georges Braque, Barry McGee, Brian Belott, James Kirkpatrick, Jason McLean and Edelweiss Cardenas.
STAGE TWO: CONSOLIDATION
Studies using ink, colour pencil and water colour.
STAGE THREE: PAINTING
Stage 1: Draft Work
Considered artists; Lorna Simpson, Will Cotton, Glenn Brown, Hank Willis Thomas, Renee Green, Yinka Shonibare, Lisa Yuskavage, and Kara Walker.
Creativity in hairstyling for black women and men can be a challenge to assimilationist notions of beauty regardless of the style worn. Within in the black race hair is a symbol which relates to the social and political issues of the past. I am interested in how historically hegemonic standards of the ruling class established ideologies of beauty which influenced the black race in relation to how individuals perceived themselves. Throughout history including slavery in the nineteenth century, and the 1960s-1970s “Black is Beautiful” movement in America, hair was a key signifier of social distinctions. These movements from the past construct modern understandings of the significance of hair. In my work I was trying to experiment with past and modern conceptions of the “exotic” in relation to hair, and literalize the racial term “coloured.”
Textual Influences: Black feminist theory (bell hooks and Tracey Owens Patton) and Afrocentric theory.
Depicting the concept is still something I am experimenting with and trying to find a painting approach that is suitable. Using a variety of mediums, practicing different portrayals of figures, isolating the hair as the main subject of the painting, and using natural colour tones complimented by bright colours, are suggestions that I intend to try. My goal is to develop a diverse body of work in relation to the theme while approaching other subjects that are not related to race.
Stage 2: Consolidation (Nov. 18th)
Watercolour & Ink works on 18″ x 24″ watercolour sheets.
Stage 3: Final Paintings (Nov. 25th)
interests: colour, gesture,ambiguity, line, direction, composition, art therapy, childhood, material, experience, holism, beauty, and music.
influences: Albert Oehlen, Mary Heilmann, Christopher Wool, Michael Krebber, Raoul De Keyser, Elizabeth McIntosh, Julia Dault, Sigmar Polke, Georg Baselitz, Scott Everingham, Martin Golland, Charline Von Heyl, Cy Twombly, Katharina Grosse, Peter Bonde, Kimber Smith, Martin Barré, Jacqueline Humphries, Gerhard Richter, Jessica Stockholder, Matt Connors, Michele Abeles, Rachelle Sawatsky, and Morris Louis.
ares of exploration: nature (specifically pattern and texture in nature), organic matter (food, consumption, when things look edible but aren’t), waste (garbage, excess), fashion ( Alexander Wang, Julian Zigerli, Naomi Campbell, Daria Webovy, “the look”, the length that people go for “the look”), beauty, childhood (glitter, collage, paste), my religious beliefs (universe, something bigger than ourselves), androgyny (I don’t believe in gender stereotypes and want to remove my work from “feminine” or “masculine”), perceptual psychology (what you see isn’t all there is).
dyed fabric, found images, acrylic on paper, sketchbook.
found images, jewels, glitter, spray paint, acrylic, gesso, gel medium.
“Fresh Out The Salon”
found images, gel medium, acrylic.
above is a .pdf link to a scanned copy of my research/proposal notebook.
Stage Three: Final